Top 5 Albums of April 2010

I'm going to make a bold attempt starting now at getting back in the swing of things in terms of blogging about things that aren't comic related (although that continues to go very well). I feel like I've been in a funk when it comes to the blogging business, but I'll be making my triumphant return assuming Alaska doesn't continue our freakishly good springtime weather. I'm resembling a tan person right now...I fear it.

No less, 2010 continues to be an awesome year for music, and April brought two of the best of the year so far. Well, it brought them to my hands...not to music stores. One you'll have to wait for, the other you can get whenever. But the rest of the month was pretty damn quality as well. Check out my five favorite from the month below.

Note: Lala is being shutdown on May 31st (boooo!) so I will not be including samples from each album here. Sadly.

1(a). LCD Soundsystem - This is Happening

Why it's number one (a): This was my most anticipated album of 2010. James Murphy (aka the mastermind behind DFA and LCD Soundsystem) crafted what is probably one of my favorite two or three songs on his last album Sounds of Silver (the track is "All My Friends"), as well as a number of other tracks that continue to enthrall me to this day. That album finished just outside of the top ten on my "Best Albums of the 00's" list, and it continues to grow on me.

This album may lack the immediacy of tracks like "Friends" or "North American Scum", but there is a patience and a power that really blends what worked so well on the first two albums from LCD. You've got tracks like opener "Dance Yrself Clean" that builds slowly with just Murphy's voice and minimal instruments for over 3 minutes until it kicks into a rip roaring jam that almost requires fist pumping. Lead single "Drunk Girls" brings you in with a Licensed to Ill era Beastie Boys chorus, but really when you get down to it we've got a disco flashback track that dares you to not tap your toes.

While those two tracks are very, very good, and the rest that surround them are solid as well, there are two songs in particular that reflect what is so special about LCD as a music creating entity: "I Can Change" and "Pow Pow". "Change" is a very thoughtful and emotional song that still manages to exist as a crafty jam that makes you want to belt out the vocals along with Murphy. The ideas he shares are pretty traditional, but there is something to be said for his method of delivery that makes it work so well.

Then, you have "Pow Pow". This guy is a throwback to "Losing My Edge" off LCD's debut album. Not so much in the actual meaning (althoug he is calling out SOMEONE in this song, not just Michael Musto), but in the very fun sing-speak delivery and the NYC disco vibe. I have a rule as well that states that gang vocals are always fun, and when Murphy's backing band joins in on some moments, it really escalates the track. The whole thing is a track that accelerates through repetition, increasing the power of it until I quickly realize it's my favorite track on the album. On an album in which I find myself loving. So, yeah, you got that going for you "Pow Pow".

1(b). Delorean - Subiza

Why it's number one (b): Here's a text exchange between my friend Erik and I to explain why this album rules:

Erik: "Subiza by Delorean is such a fantastic sunny day album."

Me: "I know. I've been listening to it all day while biking. It's one of my absolute favorites this year."

Erik: "This year's Passion Pit! It's in my top three this year I'd say."

Me: "I think it's more Cut Copy ish. I call it Cut Copy 2K10."

Erik: "Mmmm I see that. Def has the heavy vocoder use of Passion Pit though."

Me: "True. Passion Pit x Cut Copy x 2010 = David Love."

Yeah. That sounds about right. If you like albums that make you want to dance, sing along, and drive with the windows down, this album is for you. If you hate fun, life, and good times...stay away. It's that simple.

3. The Apples in Stereo - Travellers in Space and Time

Why it's number three: My favorite parts of The Apples in Stereo's last full album New Magnetic Wonder were the seriously poppy tracks like "7 Stars" and "Sunddal Song", as they were so effortlessly sunny and full of life that they were irresistable to yours truly. So when I heard that they had come out with an album in which they fully embraced their Electric Light Orchestra tendencies and made an entire album of tracks like that, I found myself smiling ear to ear to the prospect.

Since I acquired that album, I've been spinning it on near constant rotation. Tracks like "No Vacation" (oh god that song is good), "Dance Floor", and "Hey Elevator" should make it on to everyone's summer mixtapes - they're perfect for sunny days and good times, but in an entirely different way than Delorean. More of a classic way.

Some Apples fans may be upset about the perceived simplification of their sound, but if you deny this record on the basis of a band trying to make a fun album that everyone could love, well...you're not much of a fan at all.

4. The Radio Dept. - Clinging to a Scheme

Why it's number four: This album is...not summer-y. Thanks for ruining the theme The Radio Dept.! You're a bunch of jerks! Morose ones at that.

But that's okay, because you make some really pretty music. Pretty and oddly hypnotic music that can be fun in its own right at times. The best example of that is "Heaven's On Fire", a track that starts out with a quote about rock and roll and how it is monopolized by big business, and then quickly jumps into a fun and glittering jam that sucks you in with some rather seductive bass lines. It's hard to explain, but easy to experience...once you get your first hit of it, it's hard to quit. They're like a Swedish drug kingpins, and their pharmaceutical of choice is excellent, dark pop tracks.

Consider myself hooked and enthused with The Radio Dept. It is a very unique and attractive album that is a nice change of pace for the days of rain this summer.

5. Broken Social Scene - Forgiveness Rock Record

Why it's number five: I have a horrible admission to make.

I've never really been a big Broken Social Scene fan.

They have some tracks I like. I like the members of the collective. I like the ideas they convey. I just haven't liked the execution and often find them...boring.

Yet their effort this year, an album called Forgiveness Rock Record, sort of snuck up on me. It did in two ways as I had no idea it was coming out (I should have known, given that they are playing at Sasquatch this year) and that it is just a damn good album with all of elements from the band meshing together to form a cohesive whole.

It is a diverse blend of all of the musicians that helps take this to the top of their discography, as well as a new found cohesion and pop-centric focus. This is bar none the most radio friendly collection of tracks I've heard from them, with songs like "All in All" and its pretty female vocals and bubbly synth backgrounds sending the track deep into your brain and "Texico Bitches" with its peppy rhythm driving the vocals to another level...these are not your...slightly older siblings Broken Social Scene.

Not only that, but this is a long record filled with an eclectic mix of genres touched. There really is a little something for everyone here, and it'd be a shame if you missed it like I almost did. If you weren't a BSS fan before, there is a more than decent chance you will be after this album.